What is Guillaume de Machaut most famous composition?
The most famous musical composition of the 14th century is Machaut’s “Messe de Notre Dame” (Mass of Our Lady), a four-part setting of the Ordinary of the Mass together with the dismissal formula “Ite, missa est.” Machaut’s mass setting is important, not because it was the first (it wasn’t), but because of its spacious …
What type of music did Machaut write?
Machaut composed in a wide range of styles and forms. He is a part of the musical movement known as the ars nova. Machaut helped develop the motet and secular song forms (particularly the lai and the formes fixes: rondeau, virelai and ballade).
What were the two main types of sacred music composed during the Renaissance?
Two main forms of sacred music existed. Firstly, the motet; a short, polyphonic, choral work set to a sacred Latin text. The motet was performed as a short religious ritual such as the communion. Secondly the Mass; a longer work, comprised of all five movements of the Ordinary.
Why are Renaissance melodies so easy?
Why are Renaissance melodies usually easy to sing? the melody often moves along a scale with few large leaps.
Which description applies to Guillaume de Machaut Notre-Dame Mass?
Which description applies to Guillaume de Machaut’s Notre Dame Mass? The first polyphonic setting of the mass ordinary by a known composer.
What is the musical texture of Notre-Dame Mass?
polyphonic mass
Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377).
What is the Renaissance motet?
Motet: In the Renaissance, this is a sacred polyphonic choral setting with a Latin text, sometimes in imitative counterpoint.
Why was Guillaume de Machaut considered an important composer during the Middle Ages?
All of Machaut’s music has been preserved in 32 manuscripts, representing a large part of the surviving music from his period. He was the first composer to write single-handedly a polyphonic setting of the mass ordinary, a work that has been recorded in modern performance.